Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Wednesday, May 25, 2016

Reading Roundup: Sassy Sleuths

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From its back-cover synopsis, The Secret Life of Anna Blanc by Jennifer Kincheloe has got some promising components. It's a mystery set in Los Angeles during the early 1900s, and its protagonist is a spirited socialist-turned-sleuth. Anna is stifled, naturally, as a wealthy woman in this time. Her father prevents her from doing anything remotely independent and is basically trying to marry her off. Her impulsive behaviors have always seemed to be merely a flash of rebellion, spurred by boredom and frustration, but she catches wind of some mysterious deaths surrounding prostitutes and decides it's worth investigating because the police seem to just be sweeping it under the rug. Of course, she must do all of this without her father or fiance finding out about it...

This was a random book I picked up off the NEW shelf at the library, and it didn't totally disappoint. I'm not a frequent reader of mysteries, but I enjoy the ones that have precocious or spunky sleuths, especially female ones. This fits into that category; the story itself was entertaining enough, and I especially enjoyed the setting. Something about the writing, though, just seemed a little off throughout. Though this doesn't come from a typically "religious" publisher, it had some really...strange...phrasing/commentary, particularly on prostitutes and religion—not enough to be preachy but enough to catch me off guard and, on reflection, seem forced. It was a writing "style" (that may be too definitive of a word) that I felt would've been squelched and smoothed by a strong editor. Regardless, this is one of those books—like most mysteries to me—that serves its purpose as entertainment during the reading process but doesn't stick around once the last words are read.


Though I adore Alan Bradley's Flavia de Luce series, its status as a mystery series automatically designates it into that "enjoy while reading, most likely forget afterwards" category. (What I'm saying is I don't mean that as a cruel comment; different types of stories serve different purposes, rightly so!) As Chimney Sweepers Come to Dust is the seventh book in the series, launching Flavia into a new chapter after the definitive close at the end of the sixth. Flavia has been sent away from her home of Buckshaw, across the ocean to Miss Bodycote's Female Academy in Toronto. Flavia's mother attended Miss Bodycote's, and with the almost immediate discovery of a body stuffed in the chimney of her room, Flavia determines there's definitely more than meets the eye to her new environs.

It's easy to read each book in the Flavia series as a simple episodic mystery, but book six, The Dead in Their Vaulted Arches, definitely seemed to set the series on a path with deeper character development for Flavia. Bradley developed backstory to Flavia and her family and triggered a move outside her comfort zone, the familiar settings of Buckshaw and Bishop's Lacey. It's almost like when a TV cast transitions from high school to college, and the setting, characters, and conflict suddenly change; sometimes it's successful, and sometimes it's not. I've read comments from readers who finished Chimney Sweepers with a sour taste in their mouths, because it prompts the debate as to whether it's a necessary transition or not—is Flavia's story an episodic one or a long-form drama? Is the mystery the main focus or is the character? I don't know, and I'm not sure the author does either. Flavia is a character that I bet many readers are curious to see developed, but the indecisive focus on the narrative may weaken future stories. It's a tenuous line to tow, I'm sure. For current and future Flavia stories, though, I'll just continue to accept as is, with no expectation of direction, because she is such an enjoyable character to encounter.

Sunday, August 17, 2014

Reading Roundup: The End of Summer Reading, Part 2

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Well I certainly didn't intend to go 10 days in between my "End of Summer Reading" compilation posts. This was supposed to be a quick catch-up before school started, and now we're two weeks in and it has CONSUMED MY LIFE. I've got several book tours on the lineup for the next couple of months, which I am very excited about, but other than that, expect many compilation posts...particularly on middle school books! I can't even believe how busy the days seem, but at least it's finally doing something I love. And surely it will calm down into a routine where I can socialize and stay up past 10pm soon...right?


Bloodroot by Amy Greene is an example of how great storytelling can make even the most depressing of lives enjoyable to read. The book follows a number of voices as they weave together the story of one Appalachian family living on Bloodroot Mountain. Mostly, it's the story of Myra Lamb, a wild and spirited young girl who captivates the attention of our several storytellers. We hear from the grandmother that raised her and passed down the special "touch" that enchants; her neighbor and childhood friend who loves her with all his heart (though, sadly, the feeling isn't mutual); the husband who wrongfully tried to tame her; and the children who must endure the hardships and consequences of her decisions.

Overall, I found this book haunting. Its structure, with its alternating perspectives and nonlinear sequence, could be confusing, but it isn't; without distinguished chapters, it could drag on, but it doesn't. Bloodroot is steeped in the mysticism and folklore of Appalachia, and though its a universal story of history, tragedy, and family, it's also one so inextricably tied to this particular setting, on the top of an isolated mountain barely touched by modernity. I think there is a lot that could be delved into here, but it's also simply an engrossing story about people and how their choices affect their lives. Particularly recommended for book groups.


And now a light, fun one: Dying in the Wool is the first in Frances Brody's "Kate Shackleton" mystery series. If it reminds you an awful lot of the "Maisie Dobbs" series, in both subject and book design, then I'm glad I'm not the only one.

Our narrator is Kate, a young woman with a recent knack for finding missing people—whether they be dead or just didn't want to be found. This is sort of a hobby she's taken up in the years since her husband went missing himself, presumed dead during WWI. Now an old friend has come to Kate with another missing-persons case; Joshua Braithwaite, a wealthy and successful businessman, the owner of the local wool mill in Bridgestead, has been missing for the past seven years, and Tabitha is convinced her father is alive...and she wants to find him before her own wedding. With a delightful male sidekick (a sort of buddy cop scenario), Kate begins her very first professional investigation, digging up long-forgotten secrets that someone in the town would rather remain buried.

This book is just fun. Kate is an unconventional character for her time, displaying a level of confidence on par with her male colleagues, despite the anxieties nagging below the surface. She's never fully accepted the presumed death of her own husband, but she's found her own way and values her independence...and this ambiguity certainly has the potential to develop further as the series progresses. A fun mystery with a strong protagonist and enjoyable setting.

Thursday, June 5, 2014

Fiction | An Amateur Sleuth Grows Up

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The Dead in Their Vaulted Arches is Alan Bradley's sixth installment in the Flavia de Luce mystery series...and yet can you believe that only about a year has passed in Flavia's world? What a year for Flavia at boring ol' Buckshaw! She's found a dead man in the cucumber patch, an electrocuted puppeteer, a bludgeoned fortune teller, an actor strangled to death by a length of film, and a dead church organist hidden in an old tomb. Flavia has solved all those mysteries, but now she's faced with the biggest of all...the case of her missing mother, Harriet.

When The Dead in Their Vaulted Arches opens, the de Luce family is waiting at the train station for the return of their long-lost matriarch, but naturally things don't go as smoothly as planned. As the train approaches, a stranger whispers into Harriet's ear and shortly after ends up dead on the tracks, pushed under the train by someone in the crowd. Wait, and why is Winston Churchill there, and what did he mean when he asked Flavia about pheasant sandwiches? The mystery that unravels for Flavia is personal this time, and it will take more than her chemical expertise and super-sleuth prowess to solve this one.

Despite our reader's history with the de Luce clan, they remain quite elusive; Flavia has always been our portal into Buckshaw, but we've usually been distracted by her 11-year-old perspective. Father is kind but distant; Daffy and Feely are just tormenting older sisters; Dogger has a troubled past but is steadfastly loyal. This is what we know, and this is all we need to know as Flavia ventures outside her inner circle to the thrills of crime in Bishop's Lacey. I think this installment was Bradley's chance to develop a story for all the little questions he's hinted at so steadily throughout the series, forcing Flavia to look inward instead of outward and answer the questions she's never asked.

It seemed only natural for Bradley to take Flavia's story further, as too much of similar plot and tone could start to feel formulaic. However, I have to admit that this is probably my least favorite in the series. Flavia is the same playful narrator, but the story is suddenly more serious. It's like an episodic TV show that suddenly turns serial; to read this one, you actually do need the background from the previous novels. This seems such an unexpected and unusual reaction, but I find Flavia more fun when the mystery has nothing to do with her; the added personal dimension adds a great deal more heft to stories that have always been witty and droll.

This is certainly a turning point in the story of Flavia de Luce. I've read this was supposedly the last in Bradley's planned six-book series on Flavia, but with another four rumored to be in the works, it sets the stage for more Flavia adventures with a new direction. I look forward to seeing what's in store for our clever young crime-solver.

Tuesday, November 5, 2013

Reading Roundup: Mysteries, Of Sorts

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The Potter's Field by Andrea Camilleri is a fun book I picked up at a library conference last year. Since it has been sitting on my shelf, I've continuously forgotten it's a mystery. It's one in a series of mysteries, in fact—the Inspector Montalbano series, translated from Italian, of which there over a dozen titles. The Potter's Field is #13 in the series, one of the newer ones published in 2011. I can't even remember the last time I read a mystery, and I really think I should dig into this genre more often since I've always enjoyed it. (I distinctly remember back in the 8th grade, we had to read And Then There Were None for English class, and I sat in the back of Algebra class devouring the pages of Agatha Christie as my teacher rambled on about FOIL.)

Because I don't really read mysteries that often, I'm not practiced at writing about them, either! Obviously, I can only share the briefest plot summary. In this Montalbano installment, an unidentified corpse is found in a clay-rich field known as Potter's Field. In the midst of this, the Inspector is also tracking down what his deputy Mimi is up to as his behavior in the office has recently become insufferable. On top of that, there's another piece when a young woman reports the disappearance of her husband who apparently had family ties to an infamous mobster.

I'll stop there, but the writing is quick, straightforward, and witty. Montalbano is not afraid to throw a few expletives, and his procedures may not always be up to code. As I was reading, he struck me very much as that character who is sarcastic and a bit of a rogue, but entertaining enough to probably have his own BBC series. AND GUESS WHAT, HE DOES! It's technically an Italian series, but the BBC does air it in the UK! Colin and I don't agree on books (or movies or TV shows) very often, but I did pass this one along to him.


My second quasi-mystery is the well-known Where'd You Go, Bernadette? by Maria Semple. I actually knew nothing about the plot of this prior to reading; it was only on my list because it's seen a lot of buzz in the past year, so I thought it was worth picking up. To quickly set the stage for those of you who haven't already read it, it's about an eclectic family living in Seattle. Elgie the Father is a super-wiz at Microsoft, usually working, rarely at home; Bernadette the Mother is a one-time architecture great who once won a MacArthur Genius Grant but now doesn't seem to do much but complain; their daughter Bee, short for Balakrishna (see, eccentric family), once suffered congenital heart defects but now is 15 and totally fine and sick of that attention. Bee is brilliant and thriving at her sort-of hippy dippy school. The issues come when Bernadette, all "misunderstood-genius-woe-is-me," has to interact with anybody, because she is insufferable. There's a fight with another parent, a Russian mafia who may be stealing her identity, and a looming trip to Antarctica. None of these things bode well for Bernadette, so she just up and disappears.

This book was entertaining enough. I really enjoyed the style and structure that used notes, letters, and other pieces of evidence to tell the story (with a bit of Bee's narrative built in.). It was so madcap that I couldn't really ground it in reality, though. First of all, the setting was odd. It constantly felt like it was 1995, but then there are lines thrown in about iPhones and you remember it's supposed to be present day. There are references of Encyclopedia Brown and Friends reruns, but then we're jumping to TED Talks and Bing. I never really made peace with when this story is supposed to be. My biggest trouble, though, was Bernadette. UGHHHHH. She represents everything that drives me crazy about people. She's incredibly judgmental; she talks down to anyone she doesn't agree with; she complains incessantly just to voice her opinion. She is basically everything I strive not to be in life. As a result, I couldn't sympathize with anyone in this book. (I used to say, "I don't have to like the character to like the book," but now I think that is a lie; I do need to mostly like the characters.) Bee was the most interesting, but even though this story was from her perspective, I didn't feel very close to her.

This is exactly that kind of book that is going to catch on with a large crowd because it's quirky enough to make people think, "This is so quirky and I am so quirky for reading it so I love it," and look at that, it made me utter words of judgment when that's just the kind of thing I try not to do, so that is my point, UGH I'm done with this book. Great cover art, though!

Monday, March 4, 2013

Fiction | The Case of Poor Mr. Collicut

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I flipped on the switch marked "Shuddering Sobs," but nothing came.

Damnation! I used to be a dab hand at water on demand. What on earth was happening to me? Was I becoming hardened? Was this what being twelve was going to be like?

Speaking from Among the Bones is Alan Bradley's fifth installment in the Flavia de Luce mystery series. If you haven't picked up one in this series yet, I strongly urge you to do so. Flavia returns, still the ever-precocious 11-year-old chemistry-loving super sleuth. (Read more about books 1, 2, 3, and 4.)

In this installment, Bishop's Lacey is preparing to open the tomb for the 500th anniversary of the death of its patron saint, St. Tancred. When Flavia gets a sneak peek inside the tomb, though, she finds something a bit disturbing. It appears St. Tancred's tomb has already been opened—and inside is the body of the church's missing organist, Mr. Collicut. Of course, Flavia hops right on the case, following in own investigation that leads to hidden tunnels and rooms underneath the church graveyard. Could this be the same path used by poor Mr. Collicut's murderers?

On top of all this murder mayhem, Flavia is also dealing with another sizable mystery: what is to become of Buckshaw? It was a dark day when the For Sale sign went up on the lawn, and suddenly that sign has disappeared. Is this the end of Flavia's world as she knows it?

In contrast to some of the earlier Flavia de Luce mysteries, Speaking from Among the Bones hops right into the story with very little down time before the mystery begins. Character development progresses slowly through the series, but there is some there. This one seems to me to feature Flavia more independently than previous ones, and interactions with her sisters and father seem to take a back seat to Flavia's experiences out on her own. She continues to mature (evidenced by her humorous ponderings and discoveries as quoted above), seemingly ever-so-slowly until you realize that the past five mysteries have all taken place in the span of about a year and a half. (Gee, that is a lot of murder happening in one small town!)

These books are, for the most part, episodic and can be read non-sequentially. There are bits and pieces, though, that refer to earlier storylines (many of which, I must admit, I actually don't remember and thus don't completely understand the significance of the reference), and you may be more fulfilled reading them in order. If you've been following this series, you'll especially be delighted by a surprise twist at the very very end! Again, I will be looking forward to the next.

Friday, September 7, 2012

Reading Roundup: Tales from Across the Pond

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According to my "recently read" shelf, I unintentionally took a literary trip across the pond, hopping from Scotland to England for these two imports. They're not exactly Jane Austen, but at least they still serve afternoon tea.


The incomparable Maisie Dobbs—do you know how difficult it is to get a hold of this book from the NYPL? I was on the wait list for an embarrassingly long amount of time! I first tuned into this series after seeing some promotional pieces in a publisher's booth at a library conference (can't remember which one). I love a good series, so I immediately put myself on the hold list, having no idea it would take so long. (At this rate, I will move out of New York before even getting to book 3.)

At the story's opening, we learn that it's London in 1929, and Maisie Dobbs has set herself up as a private investigator, following in the footsteps of her beloved, and retired, mentor. Most of this book, though, tells Maisie's backstory—her humble beginnings as a housemaid, her unconventional education, and her nursing experience during WWI. Though the series has fallen into the Mystery genre, this one was more historical than mystery, as Winspear painted an elaborate backstory to the character we'll follow for many more books down the road. You get a good grasp of English society post-WWI and come to understand how unique Maisie is as a woman with a profession. I think this will be a fun, light series. I probably won't remember them all in detail, but I'll enjoy reading them.


Jane Gardam's Old Filth—not about a dirty old man, instead an old lawyer who Failed In London, Try Hong Kong; our protagonist has lived quite the international life. Old Filth (a nickname, of course) was born to an Englishman in the Eastern Empire, turned "Raj" orphan once his mother died, but "saved" by a missionary and shipped back to England. There, he jumps from place to place, never fully connected to a family but funded by his absent father. University leads to law; law leads to Hong Kong; retirement leads back to England, where Old Filth never feels fully settled.

My book club read this over a year ago, and I had purchased the book but was unable to attend the meeting. The Book Club Member Whose Opinion I Trust really liked this book and thought I would, too...but I found it just ok. I liked the overall structure of the story, in that it was like storytelling on why this part of his life affected that part of it and affected who he is now. I keep reading how the story is very Dickensian, though, and based on my limited experience with both this book and Dickens, I would have to agree. Normally, I really like character-driven stories, but maybe my tastes are changing a bit; I find it hard to really like such a book if I don't have very strong feelings for the character in it. And that's how I felt about our Old Eddie Feathers; he was just kinda there. I chuckled at some incidents and sympathized with him at others, but overall, I wasn't head-over-heels compelled by his story. But many many others disagree with me, so maybe it's just me. The Man in the Wooden Hat is Gardam's follow-up—which I have that on my shelf—so maybe I'll try that one out, too.

Monday, December 19, 2011

Reading Roundup: Holiday Picks

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If you're looking for a holiday read in the next couple of weeks, I've got a couple of suggestions for you. These are both quick, lighthearted stories that you can squeeze in before the end of December!


Wally Lamb's Wishin' and Hopin' is something that's been on my list for months because a) I love stories told from a childhood perspective and b) I love stories set in the 50s/60s. However, I held off on reading this until the holiday season, because it is described as a Christmas story.

Wishin' and Hopin' tells the story of Felix Funicello, distant cousin of the famous mouseketeer Annette, who is getting through his fifth-grade year at St. Aloysius Gonzago Parochial School. After Sister Dymphna, Felix's teacher, suffers a mental breakdown at the beginning of the year, she's replaced by the eccentric Madame Marguerite, who emphasizes French culture over religious studies. When preparations for the annual Christmas program begin, everything that could go wrong does, resulting in the most memorable Christmas program in recent years.

Wishin' and Hopin' is similar to Jean Shepard's infamous A Christmas Story in tone—a lighthearted story of nostalgia that contains situations and incidents that are so unique to childhood in a particular time and place. The characters don't have oceans of depth, but are developed enough to interact (and often clash). Anyone who grew up in this time period is sure to enjoy this walk down memory lane. The story is amusing more than anything else, which may just be perfect for a quick holiday read.

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The Flavia de Luce series is one I have been enjoying for the past couple years, because Flavia is a really fun, unique character to read. She's intelligent, precocious, and entirely mischievous. The latest in Alan Bradley's series, I Am Half-Sick of Shadows, is now my favorite since I met Flavia in the first in the series, and with a holiday theme, it's perfect to read right now!

Christmas isn't the only thing coming to Buckshaw; the Colonel is hard up for cash and has agreed to allows Buckshaw to serve as the backdrop for a sure-to-be mega hit film starring the famous Phyllis Wyvern. The film crew has rolled in and made themselves at home, while the film's star has been busy charming the house staff, even winning over the skeptical Flavia. Of course, in a small town like Bishops Lacey, any news is big news, and the Vicar is quick to enlist the movie stars' help in a performance to fund a new church roof. But when a snowstorm traps the entire town at Buckshaw and a body is found strangled with a length of film, chaos ensues and, naturally, Flavia is on the case.

The reason I love these books is because they're multi-faceted and can't easily be defined by one genre. The plotlines are all mystery, but the characters add a light-hearted, juvenile dimension. Flavia's investigations are always fun to read, especially as we follow her deductive skills that lead to her crime-solving conclusions. KEEP WRITING, BRADLEY.

Wednesday, May 18, 2011

Some pretty awesome YA ladies to get to know

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Man, guys. I have been on a reading frenzy. I'm reading faster than I can keep up with blogging. (It helps that I've been reading some short and/or quick reads lately.) I read the following three books, though, and realized they'd make a great compilation post because they all feature kick-ass young ladies ("kick-ass" in the sense that I'd want to hang out with them).
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Flavia de Luce is back in A Red Herring Without Mustard, round 3 of the Alan Bradley mystery series. I've already given the run down of the first two Flavia de Luce mysteries, so I won't reiterate here why she's awesome. This installment involves a bludgeoned fortune teller, the mysterious death of a local swindler, and an infant who went missing years ago. Are these circumstances related in an act of revenge or is there a new mystery to solve?

I definitely enjoyed this one more than the second in the series, and it may even be my favorite. Flavia's precocious manner of investigation with Gladys, her trusty bicycle, is never lacking of excitement. One of my favorite lines in this book involves a match of wits between Flavia and Inspector Hewitt, who is constantly trying to keep Flavia's meddling out of his criminal investigations. She states:
"How I adored this man! Here we were, the two of us, engaged in a game of chess in which both of us knew that one of us was cheating. At the risk of repetition, how I adored this man!"
Outwitting authority and loving it; this is Flavia in a nutshell.


The narrator and namesake of The Unlikely Romance of Kate Bjorkman by Louise Plummer, Kate, sees herself as a tall, gangly teenager who's blind as a bat, and that's probably how you would see her at first glance, too. She's 6 feet tall and wears coke-bottle glasses, but she's smart and witty and has an extraordinary ear for linguistics. She also has a bit of a penchant for romance novels...a penchant for poking fun at them. Kate's been in love with Richard, her brother's best friend, since they were kids, so she decides to tell their story in the spirit of a Harlequin-esque romance novel.

Kate is pretty much a quirky girl's heroine. She doesn't have a ton of confidence, thanks particularly to her "friend" Ashley who is the glamorous, flirty, shallow type. But during one Christmas at home with Kate's brother, his wife, and friends from college (including Richard!) Kate learns that her quirks can be assets, too. This was a fun book. Really enjoyed!


Last but not least, Emily of Deep Valley by Maud Hart Lovelace—a standalone YA novel by the author of Betsy-Tacy. Emily is younger than Betsy and her "Crowd," and there is some character overlap, though not a ton. However, everything feels familiar, and Emily provides a new perspective to life in Deep Valley, exhibiting a completely different personality than the characters we know from Betsy-Tacy. Emily's lives with her elderly grandfather and is more independent than part of a "Crowd." She's not interested in boys or popularity or parties or the latest fashions. She feels awkward at times while trying to find her place in the world.

Truth be told, I liked Emily much more than Betsy. She's more relatable to me, while I often found Betsy's frivolousness to be annoying. Emily has just graduated from high school and longs to go to college with her friends but is instead staying in Deep Valley with her grandfather. With nothing new on her horizon, Emily has to figure out what to do and how to keep on living without friends to lean on. She's in a rut, both literally and mentally. She's in the awkward phase between childhood and adulthood when she kinda wants to grow up but sorta wants to remain a carefree kid. As Emily resolves to "muster her wits" and seek out new opportunities, she discovers that she doesn't need college to keep learning. Definitely my favorite of Lovelace's (so far; I still have two Deep Valley books left!).

Thursday, April 1, 2010

NEW BOOK! Review: The Amateur Sleuth Returns!

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Ah Flavia, we meet again. Bantam Dell has just published the latest in Alan Bradley's Flavia de Luce mysteries—The Weed That Strings the Hangman's Bag. You may remember the first in the series from last summer—the runaway bestseller A Sweetness at the Bottom of the Pie (review: here). For the second title in the series, Flavia, our 10- (almost 11!) year-old sleuth, is back and on top of the newest mystery to ascend upon Bishop's Lacey.

With the opening line, "I was lying dead in the churchyard," Flavia illustrates her flair for the dramatic, and so begins Flavia's newest adventure. Shortly after her imaginary funeral, Flavia comes across a stranger strewn across a tombstone, weeping, in the church cemetery. Upon further investigation, Flavia discovers that a traveling puppeteer and his female assistant (said weeper) have detoured to Bishop's Lacey. But Flavia suspects the famous Rupert Porson of Porson's Puppets is not such a stranger to Bishop's Lacey after all. After his mysterious death by electricity, Flavia finds herself entangled in two murder mysteries distanced by time but arguably connected.

Bradley's second Flavia mystery is as enjoyable as the first, though I found that it took quite a bit longer to get into the suspense of the story. Flavia, again, is the most fun character I've encountered lately. She's astoundingly brilliant and alarmingly self-aware, as indicated by this line:
"At this, a great laugh went up from the children in the audience, and I have to admit I chuckled a little myself. I'm at that age where I watch such things with two minds, one that cackles at these capers and another that never gets much beyond a rather jaded and self-conscious smile, like the Mona Lisa."
She has a thirst for adventure but with a bit of that childhood naivety that leaves her blind to any real danger. She peppers her descriptions with literary quotes and references, and her chemistry genius proves her mind is beyond that of an average 10-year-old. She can concoct an antidote from the sodium nitrate in pigeon droppings and develop a poison of hydrogen sulfide from scratch, but in the end, Flavia's biggest troubles are a couple of older bullies...her sisters. The blend of Flavia's extravagant adventures and her seemingly monotonous everyday life results in a fun series that I am excited to continue.


Visit the Flavia website at www.flaviadeluce.com.

Monday, August 31, 2009

Review: The Debut of an Amateur Sleuth

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What to say about Alan Bradley's The Sweetness at the Bottom of the Pie besides I absolutely loved it? I had to get through 260-something people on the New York Public Library hold list before it was finally mine to read, but it was worth the wait.

Bradley creates one of the most amusing narrators I have read in a while. Flavia de Luce is kind of like an English Harriet the Spy—an 11-year-old super sleuth and chemistry genius growing up in the 1950s. She lives on a huge estate called Buckshaw in the English countryside with her widower father and two older sisters. Flavia has a rousing imagination that keeps her entertained, but it also gives her spunk and fuels her detective side when a full-blown murder mystery lands on her doorstep.

First, a dead jack snipe is found on the doorstep with a postage stamp bizarrely skewered on its beak. A few hours later, Flavia finds a dying man in the cucumber patch and witnesses his dying breath. "Vale!" Once the police arrest her father for the man's murder, Flavia enters detective mode as she believes the two events must be connected and her father's name must be cleared. Flavia's not like any other 11-year-old girl; to her, the murder marks the beginning of a real adventure, and she is delighted:
"I wish I could say I was afraid, but I wasn't. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life."

I haven't read too many mysteries in my day, because I feel like they, for the most part, are formulaic. Sure, the premise can be different, and a conclusion will be reached through its own, unique journey, but you're always going to reach the end: mystery solved. A good mystery needs something more than its plot, and Bradley succeeded in writing a mystery with enough to like outside of it. As the author states: "It’s a book about how far youthful idealism can carry you if it’s not stamped out, as it so often is."

Flavia is a delightful character to read, and she alone is enough to give this book an edge. In hearing the story from her perspective, we get to solve the mystery with her every step (and mistep) of the way. But one can tell that Bradley also put a lot of effort into creating all of his characters and their relationships with each other. Colonel de Luce's grief for the wife he lost has led him to the life of a recluse and distanced him from his daughters. Flavia's two sisters, like Flavia, spend their time entertaining themselves with their own interests. Their relationship with Flavia is typical of older sisters—they split their time between torment and apathy, and Flavia fights back with her secret plans of poisonous revenge.

Sometimes you have to wonder how realistic a character as Flavia could be—an 11-year-old that knows the anatomical effects of a dose of carbon tetrachloride. But Bradley doesn't give you time to even consider doubt. You'll immediately jump on board and enjoy the ride.


The Sweetness at the Bottom of the Pie won the 2007 Crime Writers' Associate Debut Dagger Award. The second book in Bradley's Flavia de Luce series is due out in 2010. Visit his website at www.flaviadeluce.com.