This is one genre I definitely thought would be the least interesting, but it actually turned out to be one of my favorite weeks of reading. I really enjoyed these two books, but I'm still don't think I can apply that reaction to all of sci-fi. Maybe it's only coincidence that I happened to like both of these, so I'm going to say jury's still out on me and sci-fi...
Scott Westerfeld is the author of a few well-known YA series, Leviathan being one of them. The series is steampunk in aesthetic, taking place in a semi-fictional society leading up to World War I. A lot of the history is there—the leaders of the Austro-Hungarian Empire have been murdered, but its prince has escaped and is on the run. Meanwhile, Britain's Air Service has an intruder—Deryn is our heroine, disguised as a boy, because all she wants to do is fly...and she's brilliant at it. Naturally, our two protagonists meet and are thrown into an adventure as the world itself is on the verge of chaos.
There's no Allies versus Central Power in this war; rather it's the Austro-Hungarian/German Clankers, with their mighty steam-powered iron machines, versus the British Darwinists, who have employed fabricated animals to do a machine's work. This is what's so fascinating about this book—it takes these schools of thought from a real point in history and just runs with them, creating this big what-if scenario. It's based on enough factual history to keep the reader feeling realistically connected to this fictional world, but it let's imagination run free to consider a new way of thinking. Leviathan is the first in a trio, and I, myself, can't wait to keep reading, because this one ends without much resolution.
Ship Breaker by Paolo Bacigalupi is definitely not a book I would have thought I'd like. Even for the first couple of chapters I wanted to put it down, because it starts off a bit slow. Ship Breaker is dystopian in style and is set in the Gulf Coast region sometime in the future, when hurricanes have pounded the area to the point that cities have been ruined and civilization is primitive at its best. Nailer, our main character, is a light crew worker, meaning he hops aboard shipwrecked boats and oil tankers, stripping them for copper wiring to make quota. This is the work-driven society he lives in—just trying to survive, scrapping metal for an unknown boss somewhere up the line, wishing and hoping for his big break.
By chance, Nailer may have hit his jackpot when he finds a beautiful clipper ship (essentially, a yacht) beached by a recent hurricane. As he hops on board, he finds the entire crew killed...except for a beautiful, wealthy girl who may be worth more to him dead than alive. This is where the character of Nailer really begins to shine, showing signs of humanity, as he becomes a person rather than just a scavenger like the rest of them. Ship Breaker is an adventure with a main character who faces a moral dilemma, and the reader is presented with scenarios that demand consideration.
One of my favorite things is the descriptions of the world "as it was," or, as it currently is now. Reading a fictional future that so clearly links to the past makes you feel, as I mentioned above, so connected to the story and setting. This book is also the first in a series, though so far, there are only two. Recommended to dystopian fans or readers looking for adventure or uncertainty.
Tuesday, January 29, 2013
Tuesday, January 22, 2013
Nonfiction | One funny girl
Fact about myself: my childhood was filled with hours upon hours of Nick at Nite, and I fully credit them with my extensive knowledge of retro TV shows, often singling me out amongst my peers as the one who "knows all this old stuff." Among my childhood favorites: Happy Days, I Love Lucy, Mary Tyler Moore, and Laverne & Shirley.
This, I believe, is the reason that Penny Marshall's memoir, My Mother Was Nuts, ended up in my NYPL hold queue. I must've read about it on NPR or something, and months later, it finally landed at my library for pick-up.
First of all, I have to say, Penny Marshall and her brother Garry Marshall are two people that just pop up everywhere. I remember them being two of the first actors that I started to recognize here and there—the most notable childhood reference obviously being their Hocus Pocus cameo. But, to tell you the truth, I have never known much about them. (As a kid, I remember thinking they were married, because that's the relationship between all men and women who are always together and share a last name, right?)
From what I read in her book, Penny Marshall has actually done much more than I ever knew. Did you know she, in fact, directed both Big and A League of Their Own—-two movies on my all-time top 10 list? Because I sure didn't.
Penny's book starts out like most memoirs in which a person of fame is reflecting on their life--looking back to where it all started. Sometimes, that's kind of boring, depending on the person. And when you start to read, "I grew up in [blank] town with my [blank] siblings and a mother who [blank] a father who, God love him, never really [blank]," you just kind of suck in air and say, "Oh boy..." But Penny is funny. And she tells those stories about her loud dance instructor mother and quiet accountant father, and somehow, you're interested because she makes it so.
I really enjoyed My Mother Was Nuts much more than I expected to. I keep reading these celebrity memoirs, always hoping they will turn out like this one—not overly serious and with enough anecdotes and experiences that will entertain you, the reader, and not just the reminiscing author. I think about these in terms of storytelling; would the content of this book be good if she was telling me the stories over a beer? And yes. Yes, it would.
This, I believe, is the reason that Penny Marshall's memoir, My Mother Was Nuts, ended up in my NYPL hold queue. I must've read about it on NPR or something, and months later, it finally landed at my library for pick-up.
First of all, I have to say, Penny Marshall and her brother Garry Marshall are two people that just pop up everywhere. I remember them being two of the first actors that I started to recognize here and there—the most notable childhood reference obviously being their Hocus Pocus cameo. But, to tell you the truth, I have never known much about them. (As a kid, I remember thinking they were married, because that's the relationship between all men and women who are always together and share a last name, right?)
From what I read in her book, Penny Marshall has actually done much more than I ever knew. Did you know she, in fact, directed both Big and A League of Their Own—-two movies on my all-time top 10 list? Because I sure didn't.
Penny's book starts out like most memoirs in which a person of fame is reflecting on their life--looking back to where it all started. Sometimes, that's kind of boring, depending on the person. And when you start to read, "I grew up in [blank] town with my [blank] siblings and a mother who [blank] a father who, God love him, never really [blank]," you just kind of suck in air and say, "Oh boy..." But Penny is funny. And she tells those stories about her loud dance instructor mother and quiet accountant father, and somehow, you're interested because she makes it so.
I really enjoyed My Mother Was Nuts much more than I expected to. I keep reading these celebrity memoirs, always hoping they will turn out like this one—not overly serious and with enough anecdotes and experiences that will entertain you, the reader, and not just the reminiscing author. I think about these in terms of storytelling; would the content of this book be good if she was telling me the stories over a beer? And yes. Yes, it would.
Sunday, January 13, 2013
YA Reading, Round 9: Mystery/Horror
So, truth be told, I obviously finished my epic semester of YA back in December. But then you know how December is...things got busy. And I still have a few more genres to post about, so I'm just going to pretend like we're still going.
Two things I have to say about this group of books: 1) It wasn't my favorite week. I think there are stronger horror stories and mysteries out there; 2) During this week, I actually listened to an audiobook for the very first time. This may or may not have influenced my opinions.
When you take a look at the cover of The Killer's Cousin by Nancy Werlin, it's like a flashback to 1993. Seriously, this book looks on par with I Know What You Did Last Summer and similar other teen horror covers. And it sorta reads that way too. I mean, it's timeless...but in a dated way, if that makes sense. In the story, David is trying for the second time to get through his senior year. The year prior, he was on trial for his girlfriend's death, and now he's avoiding the frenzy by staying with his aunt and uncle who seem to hate each other. He's also got a creepy younger cousin, Lily, who is really trying hard to ruin his life. And then there's the ominous memory of his older cousin Kathy who died years ago, but something's not quite right about the story. In the case of this book, audio was not the way to go. The narrator was boring, making the story drag. And his "annoying little girl" voice actually made me cringe from awfulness. The ending was fairly predictable (once you're into the story, you'll figure out how the author was trying to be witty with the title of the book), but it wasn't terrible to get through. It's probably much better reading on paper than spending 6 hours listening to (seriously, could've finished it in about 2).
Andrew Smith's In the Path of Fallen Objects is a different story. Now this book is creepy. I also listened to this as an audiobook, and the narrator was better (though not great), and my only real complaint was that it lasted like 11 hours or something absurd. The story follows two brothers, Simon and Jonah, as they leave their home behind in Texas (which isn't much of a home since their absent mother left for good) to hunt down their older brother Matthew who supposedly returned to Arizona after leaving Vietnam (yes, this takes place in that era). Along the road, they're picked up by a couple of seemingly normal kids not much older than their 14 and 16. Mitch and Lilly are clearly running away from something, but they're laid-back enough that it seems okay. Well, it is not. Jonah quickly figures out that Mitch is a psycho. His new mission is just survival. Protect Simon and Lilly and get the hell away from Mitch. Naturally, it's not that easy, and Jonah is in for quite a battle. Most of this story is frightening and suspenseful, but it's actually got quite a bit more to it; family, trauma, relationships--survival in every sense of the word. As eerie as this story is, I quite enjoyed it.
The Final Four Mysteries are a series of sports stories by John Feinstein. They follow two young aspiring sportswriters, Stevie and Susan Carol, as they cover some of the biggest events in sports and inevitably solve a great mystery along the way. I read The Rivalry, which covers the annual showdown between Army and Navy football. This is the fifth in the series, but it's not totally necessary to read them in order; you just miss out on a bit of background on the characters. The story is light and easy to follow. Non-sports fans will probably be bored by this series, because there is a lot of jargon and detail. However, it's a good series for sports fans because they move fast with continuous actio, which make it a good series for boys and reluctant readers.
Two things I have to say about this group of books: 1) It wasn't my favorite week. I think there are stronger horror stories and mysteries out there; 2) During this week, I actually listened to an audiobook for the very first time. This may or may not have influenced my opinions.
When you take a look at the cover of The Killer's Cousin by Nancy Werlin, it's like a flashback to 1993. Seriously, this book looks on par with I Know What You Did Last Summer and similar other teen horror covers. And it sorta reads that way too. I mean, it's timeless...but in a dated way, if that makes sense. In the story, David is trying for the second time to get through his senior year. The year prior, he was on trial for his girlfriend's death, and now he's avoiding the frenzy by staying with his aunt and uncle who seem to hate each other. He's also got a creepy younger cousin, Lily, who is really trying hard to ruin his life. And then there's the ominous memory of his older cousin Kathy who died years ago, but something's not quite right about the story. In the case of this book, audio was not the way to go. The narrator was boring, making the story drag. And his "annoying little girl" voice actually made me cringe from awfulness. The ending was fairly predictable (once you're into the story, you'll figure out how the author was trying to be witty with the title of the book), but it wasn't terrible to get through. It's probably much better reading on paper than spending 6 hours listening to (seriously, could've finished it in about 2).
Andrew Smith's In the Path of Fallen Objects is a different story. Now this book is creepy. I also listened to this as an audiobook, and the narrator was better (though not great), and my only real complaint was that it lasted like 11 hours or something absurd. The story follows two brothers, Simon and Jonah, as they leave their home behind in Texas (which isn't much of a home since their absent mother left for good) to hunt down their older brother Matthew who supposedly returned to Arizona after leaving Vietnam (yes, this takes place in that era). Along the road, they're picked up by a couple of seemingly normal kids not much older than their 14 and 16. Mitch and Lilly are clearly running away from something, but they're laid-back enough that it seems okay. Well, it is not. Jonah quickly figures out that Mitch is a psycho. His new mission is just survival. Protect Simon and Lilly and get the hell away from Mitch. Naturally, it's not that easy, and Jonah is in for quite a battle. Most of this story is frightening and suspenseful, but it's actually got quite a bit more to it; family, trauma, relationships--survival in every sense of the word. As eerie as this story is, I quite enjoyed it.
The Final Four Mysteries are a series of sports stories by John Feinstein. They follow two young aspiring sportswriters, Stevie and Susan Carol, as they cover some of the biggest events in sports and inevitably solve a great mystery along the way. I read The Rivalry, which covers the annual showdown between Army and Navy football. This is the fifth in the series, but it's not totally necessary to read them in order; you just miss out on a bit of background on the characters. The story is light and easy to follow. Non-sports fans will probably be bored by this series, because there is a lot of jargon and detail. However, it's a good series for sports fans because they move fast with continuous actio, which make it a good series for boys and reluctant readers.
Wednesday, January 2, 2013
Hello? Are you there?
In case you haven't noticed ("you" being anyone out there who may or may not still be reading this little blog space on the Internet), the past few months have been swarmed with YA reading and lots of other generally busy busy things. In real life, my job has gotten busier than ever as we just keep releasing more and more material that I have to market. And, did you know that I am getting married in June? To Colin, one time contributor to the very blog you are reading.
So there are those things on top of all that reading. And though January–June are looking to be just as busy with wedding planning and thesis writing (ugh), I hope I can have a little more time to read as I like reading—to relax and drop off the earth into another world.
With the start of 2013, we're approaching this little blog's 4-year blogiversary. But in much of that time, thanks to many of the things mentioned above, I have almost completely dropped out of the bloggy community. And that saddens me. I don't have time to read what other people have to say, and not too many people seem to stop by here to say much of anything anymore either. And that is exactly opposite of why this was started in the first place. I wanted to encourage discussion, promote books I love (or don't love), and basically just talk about books with other book-minded folks.
So, dear readers, what do you like to hear about? Would you like me to shutup about YA books forever (I promise I won't bore you with them much longer)? Do I need to be reading whatever is the best-selling follow-up to 50 Shades of Scandal (just kidding, I'm not gonna hop on that bandwagon so quickly)?
What's your favorite thing to read about and explore? What gets you excited? What's going to make you sit up a little straighter in your chair with piqued interest?
But in the meantime, hope everyone had a wonderful holiday season and a great start to 2013. Happy reading!
But in the meantime, hope everyone had a wonderful holiday season and a great start to 2013. Happy reading!
Tuesday, December 18, 2012
YA Reading, Round 8: Action/Adventure
I distinctly remember 4th grade as being my biggest reading year as a child. We had a classroom library, and in addition to the books we read as a class, my teacher really encouraged independent reading for pleasure. I read such a variety of genres that year; I was really into the American Girl series and Gary Paulsen adventures AND Bruce Coville sci-fi comedies. This week's topic in my class, Action/Adventure, immediately took me back to those days of Gary Paulsen, and I loved it. This was the most fun week yet!
All of these stories are plot-driven and fast-paced. There's not a lot to think about—you just zoom through the story, hooked and wondering what happens next.
Will Hobbs' Crossing the Wire is about fifteen-year-old Victor's quest to cross the US–Mexican border so he can find work in the US to send money home to his mother and siblings. In Victor's world, there are many ways to cross the border, but all of them are risky. You could pay a smuggler to get you across, but Victor doesn't have that kind of money. Instead, Victor stows away on trains and trucks, hikes through the dessert, and encounters every potentially fatal extreme—scorching heat, freezing cold, hunger. And that doesn't even consider the people he meets along the way, never positive if they're out to hurt or help him. Victor is a character who just keeps pushing. He won't give up, and the story follows that same mentality—it's one thing after another, enough to keep the reader engrossed. One important thing to keep in mind is that this is a story to most kids/teens; they couldn't imagine it as their own struggle, but it's real life to many people trying to find a new life. Victor's story can put readers in someone else's shoes and consider what life is like across the wire. If your readers like this, Will Hobbs has written several more adventure books for YAs.
At the opening of Roland Smith's Peak, a teenage boy is arrested for climbing a New York City skyscraper. Ok. Think about that for a second. It only goes up (pun intended) from there. Our main character, aptly named Peak, has been climbing his whole life; it's in his genes. After his run-in with the law in New York, Peak heads overseas to stay with his father while things cool off back in New York. His father, by the way, runs a climbing company and his new mission for Peak is to get him to be the youngest climber to summit Mt. Everest...with his company. And Peak, despite knowing his father's selfish motives, is totally up for it. To say Everest is dangerous is an understatement. During Peak's climb, we learn about every slight misstep that is potential for disaster. Not only is the story full of action, it's also about Peak's relationship with his parents, making big decisions and sacrifices, and determining what's really important. There are so many details in this story to further explore—names and dates and places. Not gonna lie...as I was reading this, I was Googling the crap out of Mt. Everest. I'm too much of a chicken to have caught the climbing bug, but something like Everest is just too amazing to completely ignore.
Stormbreaker is the first book in Anthony Horowitz's Alex Rider series, and I dug it as a quick and thrilling ride. Fourteen-year-old Alex lives with his uncle in London until suddenly, beloved Uncle dies in a car crash. They claim he wasn't wearing a seat belt, but Alex knows that's not possible. Something's up. After his own investigations, Alex discovers his uncle was actually murdered and is, in fact, a spy for Britain's top intelligence agency. And now that Alex knows all this, he's essentially blackmailed into finishing his uncle's work. Suddenly, Alex is training with the toughest men in the country and weaseling his way into the circles that probably killed his uncle. Stormbreaker doesn't have much beyond action and adventure—only minimal moments of character introspection and growth—but it will attract a reluctant reader and excite those readers that want an on-the-surface thrill ride. And lucky for them, this is just the first in the (so far) 9-book series. (Also, there is apparently a movie.)
Will Hobbs' Crossing the Wire is about fifteen-year-old Victor's quest to cross the US–Mexican border so he can find work in the US to send money home to his mother and siblings. In Victor's world, there are many ways to cross the border, but all of them are risky. You could pay a smuggler to get you across, but Victor doesn't have that kind of money. Instead, Victor stows away on trains and trucks, hikes through the dessert, and encounters every potentially fatal extreme—scorching heat, freezing cold, hunger. And that doesn't even consider the people he meets along the way, never positive if they're out to hurt or help him. Victor is a character who just keeps pushing. He won't give up, and the story follows that same mentality—it's one thing after another, enough to keep the reader engrossed. One important thing to keep in mind is that this is a story to most kids/teens; they couldn't imagine it as their own struggle, but it's real life to many people trying to find a new life. Victor's story can put readers in someone else's shoes and consider what life is like across the wire. If your readers like this, Will Hobbs has written several more adventure books for YAs.
At the opening of Roland Smith's Peak, a teenage boy is arrested for climbing a New York City skyscraper. Ok. Think about that for a second. It only goes up (pun intended) from there. Our main character, aptly named Peak, has been climbing his whole life; it's in his genes. After his run-in with the law in New York, Peak heads overseas to stay with his father while things cool off back in New York. His father, by the way, runs a climbing company and his new mission for Peak is to get him to be the youngest climber to summit Mt. Everest...with his company. And Peak, despite knowing his father's selfish motives, is totally up for it. To say Everest is dangerous is an understatement. During Peak's climb, we learn about every slight misstep that is potential for disaster. Not only is the story full of action, it's also about Peak's relationship with his parents, making big decisions and sacrifices, and determining what's really important. There are so many details in this story to further explore—names and dates and places. Not gonna lie...as I was reading this, I was Googling the crap out of Mt. Everest. I'm too much of a chicken to have caught the climbing bug, but something like Everest is just too amazing to completely ignore.
Stormbreaker is the first book in Anthony Horowitz's Alex Rider series, and I dug it as a quick and thrilling ride. Fourteen-year-old Alex lives with his uncle in London until suddenly, beloved Uncle dies in a car crash. They claim he wasn't wearing a seat belt, but Alex knows that's not possible. Something's up. After his own investigations, Alex discovers his uncle was actually murdered and is, in fact, a spy for Britain's top intelligence agency. And now that Alex knows all this, he's essentially blackmailed into finishing his uncle's work. Suddenly, Alex is training with the toughest men in the country and weaseling his way into the circles that probably killed his uncle. Stormbreaker doesn't have much beyond action and adventure—only minimal moments of character introspection and growth—but it will attract a reluctant reader and excite those readers that want an on-the-surface thrill ride. And lucky for them, this is just the first in the (so far) 9-book series. (Also, there is apparently a movie.)
Tuesday, December 4, 2012
Revisiting Anne, Part 3: Anne of the Island
Anne's world continues to expand with L.M. Montgomery's third in the series, Anne of the Island. After spending two years teaching in Avonlea, it's finally time for Anne to head to Kingsport to attend Redmond College. She's leaving her beloved Green Gables and her beloved best friend behind for a new adventure she's not so certain about.
But of course, it's Anne. She finds her niche, after a while, in a sweet and cozy little house with wonderful new friends and roommates. She excels in her "new life" away from the Island, while, of course, never letting it get too far out of sight or mind.
Anne, at heart, is a local girl, a homebody. She relishes in familiarity, surrounded by the people and places she holds dear; her nostalgia for these things only strengthen the bonds between Anne and the things she loves, finding comfort in the memories and associations she's created in Avonlea. Though this Anne is actually a great deal younger than me, I think this is the version of Anne I relate to most. Her level of contentment with things "as they are" is higher than most; and though she craves new adventures and new interactions, she has a tendency to fall back on the past if things get too new and unfamiliar.
This Anne seems to grow up quickly. It's her first real realization that one must grow up—the dreaming and scheming of childhood cannot last forever. But the lovely thing about Anne is that she disregards that standard. She sticks to her dreamy, romantic notions because she wants to. So while the story starts with an Anne who feels the pressure to "grow up," who you fear will lose her youthful optimism, four years pass at Redmond, and Anne grows just as we hoped she would—maintaining her childlike wonder and gaining a level of maturity simply by becoming self-aware, understanding what it means to grow up.
I enjoyed this one much more than Anne of Avonlea. I felt we really got to experience life with Anne, instead of viewing her life in brief snippets. As Anne starts to experience real things—like loss and friendship and figuring out if it's love or not—we get to see how she handles everything that comes at her. And it's exciting to follow this character as she encounters important points in her life and see how she responds...and if it fits with how you believe she is as a person. Anne is growing up, and though it's bittersweet, you're somehow confident she'll never really change.
My favorite thing about Anne has always been her ability to think about every situation, no matter how small. To look at it in the big picture, to truly appreciate it, to fully understand it, and to get as much out of it as she can. And then be able to present her thoughts in such a poignant, poetical way. Maybe it's just the author's voice, but I like to believe that's who Anne is.
"It has been a prosy day for us," she said thoughtfully, "but to some people it has been a wonderful day. Some one has been rapturously happy in it."
She felt very old and mature and wise—which showed how young she was. She told herself that she longed greatly to go back to those dear merry days when life was seen through a rosy mist of hope and illusion, and possessed an indefinable something that had passed away forever. Where was it now—the glory and the dream?
There is so much in the world for us all if we only have the eyes to see it, and the heart to love it, and the hand to gather it to ourselves—so much in men and women, so much in art and literature, so much everywhere in which to delight, and for which to be thankful.
She wondered if old dreams could haunt rooms—if, when one left forever the room where she had joyed and suffered and laughed and wept, something of her, intangible and invisible, yet nonetheless real, did not remain behind like a voiceful memory.
And L.M. Montgomery is a true fan of the em-dash. And I am such a fan of that. Also...Gilbert!!
Wednesday, November 28, 2012
YA Reading, Round 7: Fantasy
Normally, the fantasy genre is not really my thing. I like books grounded in reality. I like characters and situations I can relate to. But you know what? These picks surprised me. I didn't totally love them all, but I enjoyed them. And I found myself more engrossed in the stories than I would've imagined.
That's sorta the fun thing about this class—I'm forced to read things I would never pick up on my own. And that's usually my reading goal anyway! Maybe I haven't been doing that as well as I had thought...
I had recently added Anya's Ghost by Vera Brosgol to my own to-read list after I saw a write-up on it somewhere. I do really enjoy the graphic format, so I was pleased to be forced to get to it sooner rather than later. Anya is Russian but you'd hardly know that upon meeting her; she's purposefully lost the accent and turned herself into a typical American teenager. In fact, the first thing you notice about her is how moody and perpetually annoyed she seems—so typical. One day, in a huff, Anya falls down a well and discovers a ghost who's been trapped down there for almost 100 years. Once Anya makes it back above ground, she discovers the ghost has followed, and it actually turns out to be great to have a ghost as a best friend. She can help you cheat on tests and learn important info about the guy you're crushing on. But then Anya makes a discovery that her ghost may not be as good-intentioned as she thought.
Ultimately, Anya's Ghost is a simple story about a girl who feels like an outsider, who feels like she can't fully fit into the new world she's in, and who feels such pressure to change herself entirely to do so. The artwork is very easy to follow for a beginning graphic reader, and this story has a lot of different appeal factors—it's part paranormal, part mysterious, part multicultural, part coming-of-age. It's got a lot to offer.
I chose to read Libba Bray's A Great and Terrible Beauty because of its premise...and I liked it even though I soon realized that I had actually mis-read the premise a bit. I thought it involved time travel, and I thought, "Awesome! Time traveling from a whole other era!" Well...it is not about time travel. Just gonna throw that out there now.
The story is set in Victorian England, prior to the turn of the 20th-century. Gemma Doyle has grown up in colonial India and desperately wants to return to England. The tragic yet mysterious death of her mother gets Gemma her wish as she heads back to England for boarding school, the very same one her mother attended. Gemma doesn't make the trip alone, though; there's a mysterious stranger following her, one she recognizes from the confusing day in the market that lead to her mother's death. She's also started having visions that hint there is much more to the story than she thought—much more meaning magical realms and unthinkable evil, all of which can be released into Gemma's world, good and bad.
Gemma is an interesting character, because she doesn't feel like she belongs in any of the worlds she is in. The friendships she forms with classmates are wonderfully and realistically complex—self-serving and petty, yet demanding and utterly dependent. It's not too "high-fantasy" and therefore wouldn't be a turn-off to non-fantasy fans. It's also the first in a trilogy...which I will proceed to read as soon as this semester is over! I think it was the historical mystery aspect that got me.
Perhaps the most well-known from this set is Laini Taylor's Daughter of Smoke and Bone, also the first in a planned trilogy. My professor loves this book and hasn't stopped talking about it all semester, even prior to us reading it. This, though, was actually my least favorite of these three. The setting is simple enough—Karou lives in Prague and seems like an average teen in a normal world...at first. But Karou has a lot of secrets about her that she doesn't even have the answer to, most importantly—where is she from? She was raised by a demon and always a part of a fantastical world that has never seemed anything but normal. She runs errands for him, traveling all over the world in an instant, but she's never understood exactly why. And then she meets a stranger in a dark alley in Marrakesh, the beautiful Akiva who is just as mysterious as she is, and Karou figures there is a lot she needs to learn.
The reality Taylor painted for this story has a lot more complexity in terms of fantasy than any story I've read before. For some teens, it may be hard to completely grasp, especially if they're not usually fantasy readers, but once you grasp the norms of Karou's world, it's easier to follow. And it's satisfying to read how little pieces of the puzzle are slowly revealed as you learn more about Karou's world. Most people walk away from this book considering it a Romeo & Juliet type love story, but I think it's a lot more than that. It also has the universal themes like identity, love, and loyalty that are easier topics to understand and relate to. Teens (and adults) seem to loooooove this book, but it was just ok to me—didn't love it, but didn't dislike it either. I don't feel much drive to continue on in the series, but if a teen does, they'll be happy the story's not over yet!
That's sorta the fun thing about this class—I'm forced to read things I would never pick up on my own. And that's usually my reading goal anyway! Maybe I haven't been doing that as well as I had thought...
I had recently added Anya's Ghost by Vera Brosgol to my own to-read list after I saw a write-up on it somewhere. I do really enjoy the graphic format, so I was pleased to be forced to get to it sooner rather than later. Anya is Russian but you'd hardly know that upon meeting her; she's purposefully lost the accent and turned herself into a typical American teenager. In fact, the first thing you notice about her is how moody and perpetually annoyed she seems—so typical. One day, in a huff, Anya falls down a well and discovers a ghost who's been trapped down there for almost 100 years. Once Anya makes it back above ground, she discovers the ghost has followed, and it actually turns out to be great to have a ghost as a best friend. She can help you cheat on tests and learn important info about the guy you're crushing on. But then Anya makes a discovery that her ghost may not be as good-intentioned as she thought.
Ultimately, Anya's Ghost is a simple story about a girl who feels like an outsider, who feels like she can't fully fit into the new world she's in, and who feels such pressure to change herself entirely to do so. The artwork is very easy to follow for a beginning graphic reader, and this story has a lot of different appeal factors—it's part paranormal, part mysterious, part multicultural, part coming-of-age. It's got a lot to offer.
I chose to read Libba Bray's A Great and Terrible Beauty because of its premise...and I liked it even though I soon realized that I had actually mis-read the premise a bit. I thought it involved time travel, and I thought, "Awesome! Time traveling from a whole other era!" Well...it is not about time travel. Just gonna throw that out there now.
The story is set in Victorian England, prior to the turn of the 20th-century. Gemma Doyle has grown up in colonial India and desperately wants to return to England. The tragic yet mysterious death of her mother gets Gemma her wish as she heads back to England for boarding school, the very same one her mother attended. Gemma doesn't make the trip alone, though; there's a mysterious stranger following her, one she recognizes from the confusing day in the market that lead to her mother's death. She's also started having visions that hint there is much more to the story than she thought—much more meaning magical realms and unthinkable evil, all of which can be released into Gemma's world, good and bad.
Gemma is an interesting character, because she doesn't feel like she belongs in any of the worlds she is in. The friendships she forms with classmates are wonderfully and realistically complex—self-serving and petty, yet demanding and utterly dependent. It's not too "high-fantasy" and therefore wouldn't be a turn-off to non-fantasy fans. It's also the first in a trilogy...which I will proceed to read as soon as this semester is over! I think it was the historical mystery aspect that got me.
Perhaps the most well-known from this set is Laini Taylor's Daughter of Smoke and Bone, also the first in a planned trilogy. My professor loves this book and hasn't stopped talking about it all semester, even prior to us reading it. This, though, was actually my least favorite of these three. The setting is simple enough—Karou lives in Prague and seems like an average teen in a normal world...at first. But Karou has a lot of secrets about her that she doesn't even have the answer to, most importantly—where is she from? She was raised by a demon and always a part of a fantastical world that has never seemed anything but normal. She runs errands for him, traveling all over the world in an instant, but she's never understood exactly why. And then she meets a stranger in a dark alley in Marrakesh, the beautiful Akiva who is just as mysterious as she is, and Karou figures there is a lot she needs to learn.
The reality Taylor painted for this story has a lot more complexity in terms of fantasy than any story I've read before. For some teens, it may be hard to completely grasp, especially if they're not usually fantasy readers, but once you grasp the norms of Karou's world, it's easier to follow. And it's satisfying to read how little pieces of the puzzle are slowly revealed as you learn more about Karou's world. Most people walk away from this book considering it a Romeo & Juliet type love story, but I think it's a lot more than that. It also has the universal themes like identity, love, and loyalty that are easier topics to understand and relate to. Teens (and adults) seem to loooooove this book, but it was just ok to me—didn't love it, but didn't dislike it either. I don't feel much drive to continue on in the series, but if a teen does, they'll be happy the story's not over yet!
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